INTERVIEW: The Drifters Girl – Q&A with Carly Mercedes Dyer
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The Drifters Girl comes to His Majesty’s Theatre Aberdeen from Tuesday, April 2 – Saturday, April 6.
Direct from the West End, The Drifters Girl was nominated for Best New Musical at the 2022 Olivier Awards.
This smash-hit show has audiences on their feet night after night with a phenomenal soundtrack packed full of iconic Drifters hits including Saturday Night At The Movies, Save The Last Dance For Me and Stand By Me.
Discover the remarkable story of The Drifters and the truth about the woman who made them.
From the highs of hit records to the lows of legal battles and personal tragedy, Faye Treadwell, played by Carly Mercedes Dyer (former star of Six the Musical) was the legendary manager of The Drifters who refused to give up on the group she loved.
She speaks to Grampian Online about the role -
What hooked you in about The Drifters Girl?
I saw it in London because I knew most of the cast. I thought it was such a slick show. I knew the vocals would be amazing, because you know what your friends can do, but they absolutely blew me away. They showed me so much more than I already knew that they could do. I also thought that Faye Treadwell would be a great part to play because her story is so interesting.
How would you describe Faye and her role in the story?
She's tenacious, groundbreaking, hugely intelligent and resilient. If there wasn't a Faye Treadwell there wouldn't really be The Drifters because they would be a new iteration. They'd be some sort of tribute band but she persevered and kept everything going. She kept them at the top of their
game AND fresh. The show is about this woman who took on an industry which didn't havewomen in managerial positions and because she was the first African-American female manager she was constantly overlooked and undermined. That's crazy when you consider all the things she did. Why would you keep undermining her and overlooking her?
Can you relate to her in any way?
One hundred percent. In our industry sometimes people go 'Oh okay, that's what you do' and they want to keep you in a specific box. But I like to do things that scare me and push me out of my comfort zone. I never just rest on my laurels.
What challenges does the role present for you?
Following in the footsteps of Beverley Knight is a pretty big challenge. It's really overwhelming but at the same time she been a really good friend since I was in Memphis with her. So I thought At least you've got her on your side and also I'm a completely different person. I'm not Beverly Knight, I'm not Felicia Boswell [who took over from Knight in the West End], I am Carly Mercedes Dyer and I'm gonna give you my spin on it. That's the challenge. Plus, it's also one of those shows where you don't really leave the stage and if you are offstage, you're getting changed and hoping that there's a swig of water for you somewhere!
Were you already familiar with the true story that inspired the show?
No, I just knew the songs and often I didn't realise it was The Drifters singing them. Seeing the show really opened my eyes, and made me realise 'Oh my word, this woman was the backbone of The Drifters, she made them who they were and created a legacy both for herself and for the group.
Do you think she was ahead of her time?
Absolutely. As an African-American woman in the record business she was groundbreaking and to persevere when people always keep telling you no and shutting down your ideas takes a lot of resilience. She really was ahead of her time because she could have easily just given up and gone home.
Do you have a favourite number in the show?
I really enjoy Save the Last Dance For Me because you can tell the boys really enjoy it when they're dancing. You can see that they're having a great time and you're thinking that you're in the club with them. And with the opening medley I think 'Wow what a way to start the show!' My own solo numbers are a big challenge vocally, but I especially enjoy performing Harlem Child because it is so emotive. The music in this show is amazing and it's all about nostalgia. When people come and see it they go 'Oh my goodness, I remember hearing this' There's a feel-good quality to it as well as moments where you think I'm having one of those days where I need a good old cry. There's something for everyone.
What first lead you into performing?
My friend went to dance classes when we were in nursery school so I wanted to go too. I was painfully shy, so dance and drama were about the social aspect of it and having an emotional outlet. I really caught the bug from doing am-dram - the dressing up and being able to express myself through different characters. One of my first jobs was High School Musical at Hammersmith Apollo. It was insane because it was more like an arena than a theatre, but it was amazing.
What have been your musical theatre highlights so far?
I can pick a few because I feel like I've been really spoiled. I think one of my proudest jobs was definitely Memphis because it was such an ensemble piece. The skillset and the talent in that show was unreal. Chicago was my first West End job and that was incredible, getting to work with such a vast group of talented people. When I did the concert version of Gypsy I felt like I'd won a competition because we had seven Mama Roses and to be in a room with such formidable women and learn from them was unreal. Then obviously doing Anything Goes was also a huge highlight because it got such a great response from the audience. To get an Olivier nomination [for Best Actress in a Supporting Role in a Musical] was amazing.
What are you most looking forward to about touring the country with The Drifters Girl?
I'm looking forward to seeing how each city responds. I know they are going to be blown away by the magnitude of the talent of the company because our Drifters are something else. I just don't know how they find these people that have the vocal range and the acting ability to put on so many different hats. The cast is incredible and the buzz from the audience is going to be electric. They're in for a great time. I also hope they come away knowing more about who the backbone behind The Drifters was and how much tenacity went into keeping them going. Faye has such a great heart, such great commitment and resilience.
Tickets are on sale now, available from www.aberdeenperformingarts.com, phone (01224) 641122 or visit the box office at His Majesty’s Theatre or the Music Hall.
